When I work, I accumulate a great deal of material,” artist Mary Ellen Carroll once remarked, “and I need some way of ...
The final episode of season 9 features a live recording from Momus’s To Build and Sustain Publishing Roundtable, held at PHI ...
Momus is an independent platform for art writing and criticism. Our editors seek out writing that looks critically at contemporary art and its larger contexts. We prioritize accessible writing and ...
From June 1942 until its dissolution in 1945, the Office of War Information (OWI) generated public support for World War II, operating as a centralized federal apparatus established by President ...
1. Writing is a way of loving. To love is to give life, continuity. This is a story about lives that were not meant to go on. But they did go on. Soon after artist Gabrielle Goliath was informed that ...
Last November I spotted an unusually mundane poster at Printed Matter, the nonprofit bookseller that once served as the distribution arm of New York’s Conceptual art scene. The print, designed by ...
There is a photograph installed near the end of Peter Hujar: Rialto at New York’s Ukrainian Museum that still holds my attention. It is a photograph imbued with a sense of quietude that informs so ...
When I used the term “Muslim body” in my curatorial note* for an exhibition in New Delhi last year, I did not anticipate the extent to which it would draw institutional ire. I had used it as an ...
Between 1973 and 1978, Lynn Hershman Leeson hired photographers to document the life of her alter ego, Roberta Breitmore. Dressed in a glossy blond wig, white blouse, and polka-dot skirt, Hershman ...
I got lost several times on my way to Casa Susanna, the exhibition I had set out to write about. It was a sticky Friday night in July—“date night” at the Metropolitan Museum of Art, as the Met ...
The German American artist Eva Hesse kept meticulous diaries throughout the late sixties and seventies that account for both her personal and professional anxieties, her creative process and ...
Contemporary histories of Los Angeles seem to come in two main forms. The first, as exemplified by the indispensable work of the writer Mike Davis, deals with the existential problem of the city ...
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